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Who are these aliens? Where did they come from? This alien, named Christopher Johnson — yes, Christopher Johnson — has a secret workspace where he prepares to return to the mothership and help his people.
Much of the plot involves the obsession of the private security firm in learning the secret of the alien weapons, which humans cannot operate.
Never mind. After van der Merwe grows a lobster claw in place of a hand, he can operate the weapons, and thus becomes the quarry of both the security company and the Nigerian gangsters, who exploit the aliens by selling them cat food.
All of this is presented very seriously. Many of them are obvious, such as the action to move a race out of the city and to a remote location.
Others will be more pointed in South Africa. Nor would it escape a South African ear that the alien language incorporates clicking sounds, just as Bantu, the language of a large group of African apartheid targets.
Wearing a sweater vest over a short-sleeve shirt, he walks up to alien shanties and asks them to sign a relocation consent form.
He has little sense of caution, which is why he finds himself in his eventual predicament. This is achieved by giving them, but no other aliens, human body language, and little CJ even gets big wet eyes, like E.
They are certainly alien, all right. Director: Neill Blomkamp. Writers: Neill Blomkamp , Terri Tatchell.
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Nominated for 4 Oscars. Edit Cast Cast overview, first billed only: Sharlto Copley Sarah Livingstone - Sociologist Sylvaine Strike Interviewee John Sumner Dirk Michaels Greg Melvill-Smith Interviewer Nick Blake Interviewee Themba Nkosi Interviewee Mzwandile Nqoba Interviewee Barry Strydom Interviewee Jed Brophy Learn more More Like This.
Elysium I Action Drama Sci-Fi. Edge of Tomorrow Action Adventure Sci-Fi. Chappie Action Crime Drama. Moon Drama Mystery Sci-Fi. Oblivion I Looper I, Robot War of the Worlds Adventure Sci-Fi Thriller.
Minority Report Action Crime Mystery. Source Code Action Drama Mystery. I Am Legend Action Adventure Drama. Ex Machina Meanwhile, CJ, remaining hidden in the dropship, remotely activates the mothership and a large, alien, mechanized battle suit in Obesandjo's base.
The suit guns down the Nigerians, and Wikus enters the suit and rescues Christopher from the mercenaries. Heading to the dropship, the two come under heavy fire, and Wikus stays behind to fend off the mercenaries, buying time for Christopher, who promises to return after three years and heal Wikus, to leave.
After all of the other mercenaries are killed, Venter finally cripples the suit and is about to execute Wikus when slum aliens attack and dismember him alive.
Christopher makes it into the dropship with CJ, and the dropship is levitated via a tractor beam back into the mothership, which leaves Earth.
MNU's experiments are exposed, and the aliens are moved to the new camp, named District Tania finds a metal flower on her doorstep, giving her hope that Wikus is still alive.
Wikus, now completely alien, is shown in a junkyard crafting the flower for his wife. The film emphasizes the irony of Wikus and the impact of his experiences on his personality, which show him becoming more humane as he becomes less biologically human.
Themes of racism and xenophobia are shown in the form of speciesism. Used to describe the aliens, the word "prawn" is a reference to the Parktown prawn , a king cricket species considered a pest in South Africa.
Duane Dudek of the Journal Sentinel wrote that "The result is an action film about xenophobia, in which all races of humans are united in their dislike and mistrust of an insect-like species".
Another underlying theme in District 9 is states' reliance on multinational corporations whose accountability is unclear and whose interests are not necessarily congruent with democratic principles as a form of government-funded enforcement.
As MNU represents the type of corporation which partners with governments, the negative portrayal of MNU in the film depicts the dangers of outsourcing militaries and bureaucracies to private contractors.
Producer Peter Jackson planned to produce a film adaptation based on the Halo video-game franchise with first-time director Neill Blomkamp.
Due to a lack of financing, the Halo adaptation was placed on hold. Jackson and Blomkamp discussed pursuing alternative projects and eventually chose to produce and direct, respectively, District 9 featuring props and items originally made for the Halo movie.
The director co-wrote the script with his wife, Terri Tatchell , and chose to film in South Africa, where he was born.
QED International financed the negative cost. The film was shot on location in Chiawelo, Soweto during a time of violent unrest in Alexandra Gauteng and other South African townships involving clashes between native South Africans and Africans born in other countries.
Filming for District 9 took place during the winter in Johannesburg. According to director Neill Blomkamp, during the winter season, Johannesburg "actually looks like Chernobyl ", a " nuclear apocalyptic wasteland".
Blomkamp wanted to capture the deserted, bleak atmosphere and environment, so he and the crew had to film during the months of June through July.
The film took a total of 60 days of shooting. Filming in December raised another issue in that there was much more rain. Due to the rain, there was a lot of greenery to work with, which Blomkamp did not want.
Blomkamp had to cut some of the vegetation in the scenery to portray the setting as desolate and dark.
The director said, "I don't know whether the film has that feeling or not for the audience, but I wanted it to have that harsh s kind of vibe—I didn't want it to feel glossy and slick.
Because of the amount of hand-held shooting required for the film, the producers and crew decided to shoot using the digital Red One 4K camera.
Additionally, the post-production team was warned that the most RED Camera footage they could handle a day was about an hour and a half.
When that got to five hours a day additional resources were brought in, and terabytes of data was filled. Already as a young child living in South Africa, Blomkamp was captivated by artwork and visual effects.
So I thought I wanted to be in special effects, like model-making and prosthetic effects. The aliens in District 9 were designed by Weta Workshop , and the design was executed by Image Engine.
Blomkamp wanted the aliens to maintain both humane and barbaric features in the design of the creatures. According to Terri Tatchell, the director's writing partner, "They are not appealing, they are not cute, and they don't tug at our heartstrings.
He went for a scary, hard, warrior-looking alien, which is much more of a challenge. Blomkamp established criteria for the design of the aliens.
He wanted the species to be insect-like but also bipedal. The director wanted the audience to relate to the aliens and said of the restriction on the creature design, "Unfortunately, they had to be human-esque because our psychology doesn't allow us to really empathize with something unless it has a face and an anthropomorphic shape.
Like if you see something that's four-legged, you think it's a dog; that's just how we're wired If you make a film about an alien force, which is the oppressor or aggressor, and you don't want to empathize with them, you can go to town.
So creatively that's what I wanted to do but story-wise, I just couldn't. Blomkamp originally sought to have Weta Digital design the creatures, but the company was busy with effects for Avatar.
The director then decided to choose a Vancouver-based effects company because he anticipated making films there in the future and because British Columbia offered a tax credit.
Blomkamp met with Image Engine and considered them "a bit of a gamble" since the company had not pursued a project as large as a feature film.
Zoic Studios performed overflow 2D work. The music for District 9 was scored by Canadian composer Clinton Shorter, who spent three weeks preparing for the film.
Director Neill Blomkamp wanted a "raw and dark" score, but one that maintained its South African roots. This was a challenge for Shorter, who found much of the South African music he worked with to be optimistic and joyful.
Unable to get the African drums to sound dark and heavy, Shorter used a combination of taiko drums and synthesized instruments for the desired effects, with the core African elements of the score conveyed in the vocals and smaller percussion.
Sony Pictures launched a "Humans Only" marketing campaign to promote District 9. Sony's marketing team designed its promotional material to emulate the segregational billboards that appear throughout the film.
Hence the overtly obvious use of fake segregational propaganda. The website had a local alert system for Johannesburg the film's setting , news feeds , behavior recommendations, and rules and regulations.
Other viral websites for the film were also launched, including an MNU website with a countdown timer for the film's release,  an anti-MNU blog run by fictional alien character Christopher Johnson,  and an MNU-sponsored educational website.
Humans are MNU agents on patrol trying to arrest or kill aliens. Aliens try to avoid capture from MNU agents whilst searching for alien canisters.
This breaking down, and circumvention of existing marketing structures follows postmodernist theory in cinema. According to the American Humane Association, the film displays an unauthorized "no animals were harmed" end credit, which is a registered trademark of the group.
Among comparable science fiction films in the past, its opening attendance was slightly less than the film Cloverfield and the film Starship Troopers.
The audience demographic for District 9 was 64 percent male and 57 percent people 25 years or older. The website's consensus states, "Technically brilliant and emotionally wrenching, District 9 has action, imagination, and all the elements of a thoroughly entertaining science-fiction classic.
Sara Vilkomerson of The New York Observer wrote, " District 9 is the most exciting science fiction movie to come along in ages; definitely the most thrilling film of the summer; and quite possibly the best film I've seen all year.
Roger Ebert praised the film for "giving us aliens to remind us not everyone who comes in a spaceship need to be angelic, octopod or stainless steel", but complained that "the third act is disappointing, involving standard shoot-out action.
No attempt is made to resolve the situation, and if that's a happy ending, I've seen happier. Despite its creativity, the film remains space opera and avoids the higher realms of science-fiction.
Nigeria's Information Minister Dora Akunyili asked movie theatres around the country to either ban the film or edit out specific references to the country, because of the film's negative depiction of the Nigerian characters as criminals and cannibals.
Letters of complaint were sent to the producer and distributor of the film demanding an apology. She also said the gang leader Obesandjo is almost identical in spelling and pronunciation to the surname of former president Olusegun Obasanjo.
Hakeem Kae-Kazim , a Nigerian-born British actor, also criticized the portrayal of Nigerians in the film,  telling the Beeld an Afrikaans-language daily newspaper : "Africa is a beautiful place and the problems it does have can not be shown by such a small group of people.
However, the Malawian actor Eugene Khumbanyiwa, who played Obesandjo, has stated that the Nigerians in the cast of District 9 were not perturbed by the portrayal of Nigerians in the film, and that the film should not be taken literally: "It's a story, you know.
It's not like Nigerians do eat aliens. Aliens don't even exist in the first place. Teju Cole , a Nigerian-American writer, has commented that the "one-dimensionality of the Nigerian characters is striking," even when taking into account that District 9 is meant to be a fable.
He suggests two possible explanations for Blomkamp's narrative choice: first, that it is meant to reflect anti-foreigner sentiment within South Africa, or second, that it simply represents an oversight on Blomkamp's part.
In , the movie was one of several discussed by David Sirota in Salon. Alexandra Heller Nicholas discusses Wikus's self-identity in District 9 as problematic due to him being a white man and the hero of the film.
Making Wikus the "white savior" backtracks from the main message of District 9 which is to show the audience the detrimental effects "of colonialism brought by the Western world".
Another point Nicholas makes is that District 9 is a "stereotypical White Savior film". She states that the plot is about a white man working for the government, who has roots "in South Africa's apartheid culture", involuntarily joins the "victims of apartheid".
In this case, instead of black people, it's prawns. Doctor Shohini Chauduri wrote that District 9 even echoes apartheid in its title, as it is reminiscent "of District 6 in Cape Town, declared a whites-only area under the Group Areas Act The separation of people and "prawns" into human and non-human zones mark South Africa's social divisions.
District 9 was named one of the top 10 independent films of by the National Board of Review of Motion Pictures.
The Blu-ray Disc and region 1 code widescreen edition of District 9 as well as the 2-disc special-edition version on DVD was released on 22 December