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Bert Kämpfert

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Bert Kaempfert (* Oktober in Hamburg, eigentlich Berthold Heinrich Kämpfert; † Juni in Llucmajor, Mallorca) war ein deutscher Orchesterleiter. Diese Diskografie ist eine Übersicht über die musikalischen Werke des verstorbenen deutschen Orchesterleiters, Musikproduzenten, Arrangeur und. Im Bert Kaempfert-Shop bei bitcoinsouth.co finden Sie alles von Bert Kaempfert (CDs​, MP3, Vinyl, etc.) sowie weitere Produkte von und mit Bert Kaempfert (DVDs. Bert Kaempfert wrote Strangers in the Night and Spanish Eyes music and only later were lyrics added by others. He is a master of music and if you like jolly. Bert Kaempfert hat viele Evergreens und Weltstandards geschrieben. Nebenbei entdeckte er die Beatles, arbeitete für Elvis Presley und verhalf.

Bert Kaempfert wrote Strangers in the Night and Spanish Eyes music and only later were lyrics added by others. He is a master of music and if you like jolly. Kämpfer, Sylvia and Mutz, Michael (): "On the Sunny Side of Life: Sunshine Effects George W.; De Keulenaer, Femke; Van Landeghem, Bert; Kavetsos, Georgios KГ¶ln: Max-Planck-Institut für Gesellschaftsforschung. Kaempfert Plays Kaempfert -- das sind die unvergesslichen Klassiker des großen Bert Kaempfert, von seinem Enkel als Trompetensolist.

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He auditioned and signed the Beatles, and recorded two tracks with them during his sessions for Sheridan: " Ain't She Sweet album " sung by rhythm guitarist John Lennon and "Cry for a Shadow" an instrumental written by Lennon and lead guitarist George Harrison.

On October 28, , a man walked into the music store owned by Brian Epstein to ask for a copy of "My Bonnie", a song that was recorded by the Beatles, but credited to Tony Sheridan.

The store did not have it, but Epstein noted the request. He was so intrigued by the idea of a Liverpool band releasing a record, he investigated.

This event led to his discovery of the Beatles and, through his effort, their signing by George Martin to Parlophone Records after Kaempfert helped them elude any contractual claim by Polydor.

It featured Kaempfert's signature hits. In , Jimi Hendrix included the melody of " Strangers in the Night " in his improvised guitar solo for his famous guitar-burning version of " Wild Thing " at the Monterey Pop Festival.

It too featured Kaempfert's major hits. Many of his hits during the s were composed and arranged with the help of German Herb Rehbein, who became a successful bandleader in his own right.

Rehbein's death in shook Kaempfert deeply. It consisted of a total 21 tracks in a heavyweight gatefold picture sleeve. The Kaempfert tracks were done in his arrangement style, and the Bacharach tracks were done in the American's unique upbeat style.

By the s, sales of Kaempfert's music had declined, but he continued to record. His version of the Theme from Shaft was admired by composer Isaac Hayes [ citation needed ] and remained popular with audiences.

He expanded the musical scope of his band and recorded in a wide variety of styles. He also began to play live concerts with his orchestra , beginning in , with an appearance at the Royal Albert Hall in London.

Kaempfert is sampled in the song " One Week " by the Barenaked Ladies. The song's lyrics also declare that "Bert Kaempfert's got the mad hits".

Kaempfert used many musicians who were available in Germany and other parts of Europe , including many of the same players who played for James Last , Kai Warner and Roberto Delgado.

Drummer Rolf Ahrens supplied the characteristically simple but steady beat, often playing just a snare drum with brushes.

An acoustic bass played a simple pattern in unison with this staccato electric bass, which created a unique sound. It was Geisler who lent his guitar amplifier to The Beatles for their recording session with Tony Sheridan , after the band's own equipment proved to be inadequate for recording purposes.

Kaempfert died suddenly on 21 June , at the age of 56, following a stroke at his home in Majorca , shortly after a successful appearance in the United Kingdom.

On 25 June , The New York Times Magazine listed Kaempfert among hundreds of artists whose material was reportedly destroyed in the Universal fire.

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Unsourced material may be challenged and removed. April in Portugal Ssh! Retrieved 1 January June 18, ]; This was yet another song that Jimi came to hate, but he always seemed to put an interesting spin on the song when he played it live.

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Fabulous Fifties

Bert Kaempfert - Melodien Die Man Nie Vergisst. (vinyl) LP. Polydor Deutsche Grammophon GmbH. Kaempfert Plays Kaempfert -- das sind die unvergesslichen Klassiker des großen Bert Kaempfert, von seinem Enkel als Trompetensolist. Bert Kaempfert ( Oktober – Juni ). Bert Kaempfert gilt heute als Vater des „Easy Listening“. Als Arrangeur prägte er einen Orchester-Sound, der. Kämpfer, Sylvia and Mutz, Michael (): "On the Sunny Side of Life: Sunshine Effects George W.; De Keulenaer, Femke; Van Landeghem, Bert; Kavetsos, Georgios KГ¶ln: Max-Planck-Institut für Gesellschaftsforschung. Deutschland BVMI. DE 28 12 Wo. US 1 17 Wo. More info schrieb und produzierte zu Lebzeiten nicht nur die meisten this web page Werke, sondern auch diverse für Der WachsblumenstrauГџ Interpreten. Click — AT. Immer wieder — jung! US 11 US. Und plötzlich war der internationale Durchbruch geschafft. Anmerkung: Auszeichnungen in Ländern aus den Charttabellen bzw. Erstveröffentlichung: mit Hildegard Knef. UK this web page 22 Wo. US 27 23 Wo. DE https://bitcoinsouth.co/filme-kostenlos-anschauen-stream/erkan-can.php DE. Golden Memories MCA US 31 7 Wo. UK — UK. Kaempfert als Autor und Produzent in den Singlecharts. Where Flamingos Fly. DE 18 10 Wo. US 10 Wo. Fremde in der Nacht A Peter Beil. Prodotto usato. Nuovi Altogether he wrote about titles continue reading arrangements. Happy Sounds Forever. Gebruikersportaal Snelcursus Hulp en contact Donaties. Christmastide With Kaempfert Album 30 versioni.

Bert Kämpfert Video

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Sabato 4 Gennaio Domenica 5 Gennaio Sabato 11 Gennaio Domenica 12 Gennaio Sabato 18 Gennaio Domenica 19 Gennaio Sabato 25 Gennaio Domenica 26 Gennaio Sabato 1 Febbraio Domenica 2 Febbraio Sabato 8 Febbraio Domenica 9 Febbraio Sabato 15 Febbraio Domenica 16 Febbraio Sabato 22 Febbraio Domenica 23 Febbraio Sabato 29 Febbraio Domenica 1 Marzo Sabato 7 Marzo Domenica 8 Marzo Sabato 14 Marzo Domenica 15 Marzo Sabato 21 Marzo Domenica 22 Marzo Sabato 28 Marzo Domenica 29 Marzo Sabato 4 Aprile Domenica 5 Aprile Sabato 11 Aprile Domenica 12 Aprile Sabato 18 Aprile Domenica 19 Aprile Sabato 25 Aprile Domenica 26 Aprile Sabato 2 Maggio Domenica 3 Maggio Sabato 9 Maggio Domenica 10 Maggio Sabato 16 Maggio Domenica 17 Maggio Sabato 23 Maggio Domenica 24 Maggio Sabato 30 Maggio Domenica 31 Maggio In was Kaempfert verantwoordelijk voor de opnames van de zanger Tony Sheridan , die werd begeleid door een tot dan toe onbekende band, The Beatles.

Zijn compositie Afrikaan Beat werd de herkenningsmelodie van het sprookje de Indische Waterlelies in de Efteling , waar het wordt gespeeld door een kikkerorkest en een ganzenensemble.

Het nummer Living it up uit was de tune van de Vlaamse jeugdserie Kapitein Zeppos. Bert Kaempfert stierf plotseling op jarige leeftijd op Majorca ten gevolge van een beroerte.

Kaempferts muziek kan omschreven worden als easy listening en als achtergrondmuziek. Kaempfert schreef zo'n composities en maakte zeker orkestarrangementen.

In de ritmesectie van Kaempferts orkest zaten meestal twee bassisten. De eerste bassist speelde jazzy baslijnen op contrabas "walking bass".

De tweede bassist speelde gedempte staccato basgitaar met plectrum. Deze basgitaartechniek werd bekend als de zogenaamde "Knackbass". De twee bassisten speelden of hetzelfde loopje contrabas dubbelde dan de noten, bijvoorbeeld op A Swinging Safari of speelden een tegengesteld loopje Living it Up of in after-beat duidelijk hoorbaar in Black Beauty waar de 'punchy' bas aan het einde eerder stil valt.

Dit dubbel basgebruik bepaalt voor een groot deel de meteen herkenbare "Kaempfert-Sound". James Last was een van de eersten die beide instrumenten gebruikte in zijn orkest, maar weliswaar speelden beide bassen in zijn arrangementen anders dan bij Kaempfert veelal een identieke baslijn.

Ook in country en rockabilly werd vaak gebruikgemaakt van een ontdubbelde baslijn, veelal omdat het zachtere geluid van de contrabas technisch gezien zeer moeilijk was om op te nemen.

De basgitaar of baritongitaar speelde dan dikwijls zogenaamde "tic-tac bass". Uit Wikipedia, de vrije encyclopedie.

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